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Here are a few more tasty nuggets of wisdom about playing in a rock band from someone who’s been there: Frank Doris. This time, Frank highlights the importance of rehearsing—because if you don’t rehearse, you’re gonna suck.
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In this excerpt from Paul McGowan’s The Audiophile’s Guide, overlooked spaces like basements and garages become ideal listening rooms through smart, minimal upgrades—proving great sound starts with practicality, not perfection.
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Chicago’s listening bars offer a new kind of nightlife, where hi-fi sound, curated vinyl, and craft cocktails take center stage. From Charis to Parachute HiFi, each space delivers a distinct, music-first experience.
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Being in a band is all about gigs. The challenge is getting them. Writer and touring vet Frank Doris gives tips on how to do it, even if it’s the part he likes least about the business.
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Frank Doris lays bare the gritty reality of gig pay—from $25 farmers’ markets to $250K arena tours—exploring tips, contracts, tribute bands, and the financial tightrope musicians walk to keep the music playing.
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Frank Doris takes a look at the revealing new book, Buzz Me In: Inside the Record Plant Studios, which has some real rock and roll stories.
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Copper Editor and musician Frank Doris reveals, among other things, what you shouldn’t eat before a set if you don’t want to “crop dust” your drummer.
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Claude Lemaire revisits timeless summer songs, from Percy Faith’s orchestral “Theme from A Summer Place” to The Lovin’ Spoonful’s gritty “Summer in the City,” capturing carefree memories without fretting over sound quality.
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In the first of two articles, Jeff Weiner tracks how late-’60s rock giants like Clapton, Beck, and Page resurrected early blues legends, transforming Skip James and Robert Johnson into classic rock staples.
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With AXPONA 2025 safely in the past, it’s time to hop back into the listening room with some records.
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Marantz’s AV 20 channels 70 years of audio legacy into a 13.4-channel processor, blending analog soul with modern tech—and a Sound Master’s ear—for cinema that sings.
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In Montreal 1969, John and Yoko staged a week-long Bed-In, blending absurdity and activism to birth “Give Peace a Chance”—a protest wrapped in pajamas, incense, and media frenzy.
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On November 9, 1967, Rolling Stone magazine arrived in the world not with a bang, but with a slightly confused-looking John Lennon in a netted helmet. Dressed as Private Gripweed from the absurdist war film How I Won the War, Lennon graced the cover of what would become the most influential music publication in history—though…
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Frank Doris recounts wild gig disasters—sick performances, broken gear, flaming hair, hostile crowds, and forgotten sets—in a brutally funny look at the mayhem musicians endure onstage.
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Hair, the movie, was seminal—here’s why.
