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Rock ‘n’ roll is full of nights that teetered on the edge of disaster, but few reached the level of legendary mayhem that erupted in Flint, Michigan, on August 23, 1967. It was the night Pete Townshend’s guitar took flight, Keith Moon got himself banned from the entire Holiday Inn chain, and The Who cemented…
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By the time Frank Sinatra stepped onto the stage at the JW Marriott Desert Springs Resort in Palm Desert, California, on February 25, 1995, he had already spent over five decades redefining American music. At 79, Sinatra was more myth than man—a living legend who had crooned his way through generations, from wartime ballrooms to…
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The Vinyl Beat digs into some more reissues that fly under the radar.
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There are two types of people in this world: those who worship at the altar of Janis Joplin and those who, frankly, need better taste in music. By the summer of 1970, Joplin was already more than a singer—she was a force of nature, a Texas-born tempest wrapped in feathers, fringe, and enough raw emotion…
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From apologizing to loved ones neglected during DAC testing to listening to Dark Side of the Moon on a $20 speaker, this clever guide skewers obsessive habits with wit, reminding readers that “it’s the ear, not the gear.”
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David Chesky, audiophile pioneer and Grammy nominee, shares insights in an exclusive interview ahead of his trio’s live performance of The Great European Songbook at Montreal’s Bourgie Hall on January 23. Tickets are available now, for $19 – $38.
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Tom Gibbs didn’t just like the performance of the US$ 1000/pair XSA Labs Vanguard monitors—he was gobsmacked!
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Victor Sima, born in Montreal, Quebec, was a pioneering figure in the high-fidelity audio industry. In 1980, he founded Sima Electronics, later rebranded as Simaudio, with a mission to deliver high-performance music reproduction without unnecessary embellishments. Initially focusing on professional audio equipment, Sima’s designs quickly garnered acclaim among audiophiles for their exceptional sound quality and…
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November 21, 1955, wasn’t just another Monday. For Elvis Presley, it was the day a $35,000 contract (equivalent to $400,000 in 2024) pulled him out of a regional spotlight and thrust him onto the global stage. RCA Records, sensing that the young singer from Tupelo, Mississippi, was more than just a passing trend, purchased his…
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“On a Mobile Fidelity version of Dire Straits’ Brothers in Arms, I heard a wealth of scintillating detail and instruments that popped out from the background with shape and aliveness.”
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The Vinyl Beat is a new column that will dig up notable vinyl nuggets, past and present.
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On July 11, 1969, as the world braced for the monumental Apollo 11 moon landing, an emerging David Bowie released “Space Oddity,” a song that would soon become a defining anthem of the space age. Just days before humans first set foot on the moon, Bowie’s cosmic tale of Major Tom captured the imagination of…
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“What I’m going to say now with 100% certainty is that I had never heard these two recordings sound better than they did in that room.”
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Inspired by John Darko’s The Music-First Audiophile Manifesto, The Bass-First Audiophile Manifesto is here to rumble your funny bone(s).
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Studio 54 flung open its glamorous doors on April 26, 1977, and with its opening, it instantly cemented itself as the crown jewel of Manhattan’s nightlife. This wasn’t just a club; it was a nocturnal kingdom where the elites of Hollywood, fashion, art, and music came to play. The stories of its decadence, celebrities, and…