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Jeff Weiner concludes his series on blues history by way of classic rock, revealing how artists like the Stones, Janis Joplin, and the Allman Brothers revived early blues legends—crowning Willie Dixon as the most-covered songwriter.
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In the first of two articles, Jeff Weiner tracks how late-’60s rock giants like Clapton, Beck, and Page resurrected early blues legends, transforming Skip James and Robert Johnson into classic rock staples.
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November 21, 1955, wasn’t just another Monday. For Elvis Presley, it was the day a $35,000 contract (equivalent to $400,000 in 2024) pulled him out of a regional spotlight and thrust him onto the global stage. RCA Records, sensing that the young singer from Tupelo, Mississippi, was more than just a passing trend, purchased his…
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Amid WWII and deep segregation, the International Sweethearts of Rhythm—an all-women, racially diverse jazz band—rose to fame, defying racial and gender norms while electrifying audiences and outshining male counterparts across the nation.
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From cotton fields in Arkansas to New York’s electrifying jazz clubs, Sister Rosetta Tharpe defied genres and gender roles, blending gospel with rock ’n’ roll and pioneering a sound—and a legacy—that would change music forever.
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George Harrison’s enthusiasm for Delaney & Bonnie’s Accept No Substitute nearly landed the duo on Apple Records—until label politics and Delaney’s double-dealing derailed the deal, sparking industry drama and setting off a ripple through rock history.
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Delaney & Bonnie’s fallout with Stax over their debut LP “Home” triggered a musical detour to L.A., where they recorded the fiery “Accept No Substitute” for Elektra—an album so compelling, it captivated George Harrison himself.