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The Vinyl Beat digs into some more reissues that fly under the radar.
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Welcome to the November Vinyl Beat! This month at Casa Rudy we’re enjoying a couple of Doobies, being overrun by Rhinos, wearing a Tutu, adding some salsa to life’s recipe, and operating under an assumed identity.
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“On a Mobile Fidelity version of Dire Straits’ Brothers in Arms, I heard a wealth of scintillating detail and instruments that popped out from the background with shape and aliveness.”
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Welcome to my series Treasures from the Vinyl Vault. In it, I will feature select gems from my approximately 12,000 ever-growing vinyl collection, accumulated over a 45-year period and counting.
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As an ambitious creator of new musical worlds, visionary saxophonist Kamasi Washington wants to understand and proclaim the power of love. He wants to come to terms with his mortality. He wants to make people dance. And he certainly wants people to stop hating on jazz. Mixing jazz horns with afrofuturist concepts, spiritual transcendence, and…
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Frank Doris interviews Nick Getz, son of sax legend Stan Getz, and Abey Fonn of Impex Records, about the new Getz/Gilberto LP reissue of the bossa nova classic.
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Hi, my name is Claude and I’m a… disco addict. There I said it. Now that wasn’t so awful after all. Truth be told, I never shied away from admitting my lifelong disco dependency to strangers. I was always an unabashed member of the disco brigade, but from what I’ve gathered from friends and acquaintances,…
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“The sound quality is excellent – super-clean, dynamic, with extended frequency range and a defined soundstage.”
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“Holy ‘Groove Echo’, Batman!”
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The microscopic world on a vinyl record is full of unusual things.
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“Sometime in the 1990s that slumbering beast within, audiophilus obsessivus, awakened.”
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Davis made over 50 studio records. Here are 8 cherry-picked tracks.
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This article first appeared in PS Audio’s Copper Magazine. According to reliable sources, bassist Ron Carter has well over 2,000 recording credits. On the majority of those he’s a sideman for other people’s albums, but it’s still a staggering sign of esteem that hundreds of the top musicians in jazz pick up the phone and call him…
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Even Mikey admits that the sound of digital playback has come a long way since its nascent ear-bleeding days. Still, is there an entry-level vinyl setup available today he thinks can beat the sound of even the most expensive digital front-ends?
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“I’ve seen people buy big, expensive equipment and put it in a room that wasn’t compatible. So when buying gear, especially speakers, make sure it matches the size and dimensions of your room […]”