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Before the lute sang courtly ballads, the oud wept across empires—fretless, poetic, and ancient, it journeyed from Ur to Córdoba, carried by legends like Ziryab and crafted with near-religious devotion.
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Captivated by Liu Fang’s mastery of the pipa, composer Christian Thomas created Dragon, Concerto for Pipa—a sweeping East-meets-West musical odyssey.
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Pierre Dallaire returns with Part 2 of his musical journey, highlighting five stellar recordings—each a gateway to a different era, from da Milano’s divine lute to Debussy’s impressionistic piano, all chosen to ignite deeper listening.
