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Frank Doris has an alternately exhilarating, relaxing, exhausting, and rewarding weekend playing music at the Montauk Music Festival in upstate New York.
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Before the lute sang courtly ballads, the oud wept across empires—fretless, poetic, and ancient, it journeyed from Ur to Córdoba, carried by legends like Ziryab and crafted with near-religious devotion.
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On July 4, 1996, Tupac turned the House of Blues into a Death Row sprint, packing unreleased fire and all-star cameos into his last concert before everything went dark.
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Frank Doris discovers his system’s sound had subtly worsened—until a corroded breaker, a house-wide power mystery, and an unexpected speaker tweak revealed what was really going on.
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What could beat hearing Marvel soundtracks on the best home theatre setup? Robert Schryer asks Francis Choinière, who’s conducting them live with an 80-piece orchestra for The Infinity Saga Concert Experience in Montreal.
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From a Xi’an high school garage to a global force, Matrix Audio blends obsessive engineering and minimalist design, with in-house software and hardware that now challenge legacy brands on performance, integration, and value.
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The hi-fi world gets a wake-up call as this piece slams the disconnect between lavish audio gear and underfunded artists—urging brands to fund music creation, not just polish playback of the same old tracks.
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Mutine’s Pascal Ravach shares his philosophy on how to listen—and how to find a system that helps you achieve the ultimate connection—with music, but also with life.
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In the first of two articles, Jeff Weiner tracks how late-’60s rock giants like Clapton, Beck, and Page resurrected early blues legends, transforming Skip James and Robert Johnson into classic rock staples.
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Doug Moore puts the Schiit Magni Unity headphone amplifier and HIFIMAN Arya Stealth headphones through their paces and comes out with some interesting observations.
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Marantz’s AV 20 channels 70 years of audio legacy into a 13.4-channel processor, blending analog soul with modern tech—and a Sound Master’s ear—for cinema that sings.
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Writer Rudy Radelic shares his observations at this year’s packed AXPONA.
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Unveiled at High End Munich 2025, the Eversolo Play blends DAC, amp, and streaming in one sleek unit, challenging hi-fi excess with minimalist elegance and room-tuned performance.
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What can active speakers do that passive ones can’t? Impulse response, impulse response, impulse response, says Bruno Putzeys. That, and their sheer practicality, makes them the wave of the future.
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What can active speakers do that passive ones can’t? Impulse response, impulse response, impulse response, says Bruno Putzeys. That, and their sheer practicality, makes them the wave of the future.
