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James Brown’s funk revolution redefined rhythm, shifting focus to the downbeat groove in hits like “Papa’s Got a Brand New Bag.” Meanwhile, Otis Redding, Sam & Dave, and Eddie Floyd shaped soul’s evolution, fueling disco’s dancefloor legacy.
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The Beatles’ final days remain endlessly debated, with new Let It Be reissues and Peter Jackson’s film offering fresh insights. Despite tensions and break-up rumors, recent releases reveal more joy, creativity, and a deeper look into the band’s last sessions.
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Richard Reed Parry tells Mark Lepage about his folk roots, punk rebellion, and musical evolution. From Arcade Fire’s anthems to solo experimental work, he embraces tradition and innovation, striving to “make beautiful stuff” across diverse musical landscapes.
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Donna Summer and Moroder-Bellotte pushed disco’s boundaries with Once Upon a Time (1977), a groundbreaking double concept album. Hits like “MacArthur Park Suite” and Bad Girls cemented her legacy as disco’s enduring queen.
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Bob Dylan’s 1980s spiritual detour shocked fans with gospel-only sets and preaching. By 1983’s Infidels, he returned to secular music, backed by stellar musicians, showcasing renewed creativity despite mixed critical reception and early digital recording controversies.
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MOON by Simaudio’s Dominique Poupart radiates passion and precision as he leads a tour through the company’s Quebec-based factory, where cutting-edge robotics meet meticulous hand-assembly—all in service of sonic excellence.
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In a playful dialogue with his younger self, Jonson Lee explores how sound quality deepens music’s magic—while cautioning against losing joy in the endless quest for upgrades. The message? Savor the music, now.
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For under $1,500, the Zu Audio Omen and Magneplanar LRS offer two thrilling yet wildly different sonic paths—one bold and dynamic, the other refined and immersive—both delivering serious high-end sound without a high-end price.
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One of the leading music business stories of the 21st century is the continued discovery, sonic restoration, and release of previously unknown recordings—either from the studio or the stage. As the constant advance in digital technology has reclaimed live tapes once thought to be sonically inferior, and refreshed forgotten or leftover studio recordings, record labels,…
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For Wayne E. Goins, Carole King’s Tapestry isn’t just an album—it’s a life marker, from teenage homework sessions on a beloved console to rediscovering its soul-stirring power decades later on a high-end setup.
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Veteran music editor Robert Baird reflects on high-end audio’s tribalism, from gear vs. music purists to loudness wars and streaming woes, vowing to spotlight artists who value both sonic integrity and musical impact.
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Tracing disco’s roots back to slave songs, chain gangs, and swing countercultures, the article shows how rhythm evolved into a movement — one made possible not by concerts, but by records and multitrack recording.
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Dragged along to T.H.E. Show by chance, Jonson Lee’s wife — a professional pianist — helped crown Heavenly Soundworks’ active speakers as the event’s best, praising their astonishing clarity and bass, all powered by just a $500 streamer.
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A recent article by PMA Magazine editor Robert Schryer got me wondering about when I began to think of music and audio — and, specifically, of myself as an audio hobbyist. The answer to “when” can’t be clearly defined by a single moment; it’s scattered across a handful of events that took place over a…
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As music lovers, we strive for the best possible sound quality. They say all roads lead to Rome, but we still need to contend with our needs, our path, our budget, and the time available to us to get there. Across my next columns, like a travel guide, I will try to recommend memorable places for…
