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Luthier Okkyum Kim and reviewer Robert Schryer audition Audio Element’s $10K Krypton system in Pasadena and are stunned by its deep, articulate bass and musical realism—qualities that rival systems many times its price.
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Markham, Ontario: IsoAcoustics, the Canadian isolation specialists, recently recorded a unique demonstration of their GAIA Isolators with the aim of showcasing its unrivalled ability to improve audio equipment in any environment. The video captures the behind-the-scenes setup for the A/B demonstration and the listeners’ reactions to the stark sonic differences between the audio with and without the attachment…
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“No, I have the best system in the world!” #5: Crafting an Audiophile’s Dream in a Split-Level House
In his pursuit of audio nirvana, Serge transformed a living space into a showcase for his Focal Utopia Maestros and a $100K+ setup, crediting his system’s final leap in performance to DR Acoustics power products.
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Vincent Bélanger, a fourth-generation cellist and Audio Note UK ambassador, blends elite classical training with audiophile sensibilities, global collaborations, and a deep reverence for accessible, emotionally resonant performance.
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Motown met the Summer of Love in 1967 with “Reflections,” as psychedelic soul emerged—while Sly & the Family Stone’s electrifying debut laid the groundwork for funk, disco, and the future of R&B.
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In this revealing article, Jonson Lee explores how volume controls—digital or analog—inevitably compromise sound quality, ultimately concluding that even the best among them can’t compete with the clarity of having none at all.
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Jean-François’s McIntosh-powered setup hits a personal sweet spot, where rich bass, vivid timbres, and thoughtful tweaks—from power lines to speaker angles—have ended his upgrade itch and turned listening into a lasting joy.
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Ivan Doroschuk of Men Without Hats reflects on his synth-pop revival, embracing ‘80s nostalgia and global tours with humility and humor, performing “The Safety Dance” not once but thrice per show—for three generations of fans.
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Adele’s tearful Vegas cancellation sparked backlash not just for its timing, but for symbolizing spectacle over soul—an irony, given her voice alone could’ve carried a show that ticket holders paid thousands to witness.
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Montreal dealer Christian Vézina of Planète Haute-Fidélité delivers PMA’s first certified $10K system: Martin Logan XT i60 speakers, Exposure 3510 amp, and an Innuos ZENmini streamer punch far above their price, with upgrade paths mapped.
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Built around both vinyl and digital front-ends, this $50K two-in-one system marries Magnepan LRS panels with Zu Audio Omens—proving great sound isn’t about price tags, but system synergy, savvy tweaks, and soul.
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PMA’s Robert Schryer confesses to abandoning separates for the Grandinote Shinai integrated amp, declaring it the most human-sounding gear he’s owned—and the cornerstone of a system that finally silenced the upgrade itch.
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After years of AB tests and blind comparisons, Jonson Lee finds that while 24-bit playback offers little audible advantage over 16-bit, high-res still matters—mainly due to improved recording techniques and mastering quality.
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As Motown icons the Supremes and Temptations battled for chart dominance in 1966–67, psychedelic soul and funk pioneers like Sly Stone and James Brown began reshaping the sound of Black music—with drum breaks, distortion, and fire.
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Part 2 of this series dives into classical recording eras, revealing how early mono (’30s–’50s) captures legendary performances despite technical limits, while late ’50s–early ’60s stereo offers warm, rich, and cohesive orchestra sound—especially from RCA, Decca, EMI, and Philips.
