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THE MONTREUX JAZZ FESTIVAL & BMG ANNOUNCE THE NEXT RELEASE IN THE MONTREUX YEARS SERIES RELIVE THE 23 TIME GRAMMY AWARD WINNER’S PERFORMANCES AT MONTREUX FROM 1981 – 2010 PRE-ORDER CHICK COREA: THE MONTREUX YEARS HERE LONDON 17 AUGUST 2022 – Montreux Jazz Festival and BMG today announce the next installment in The Montreux Years…
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In his latest interconnect roundup, the Guru pits Audience, Kimber Kable, and AudioQuest against each other—finding all three excellent, but each with a unique sonic flavor and value proposition worth testing in your own system.
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Jazz pianist Jean-Michel Pilc, once a devoted audiophile with Linn and Naim gear, now favors simpler setups and live recordings, believing music—not the gear—should move us, whether it’s Mingus or McCartney.
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Three SPDIF cables from AudioQuest, Kimber, and Audience face off—each delivering distinct sonic strengths—while the old-school Auric Illuminator CD treatment surprisingly proves its worth, boosting clarity, ambiance, and realism across multiple discs.
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Rotel’s A12MKII integrated amp-DAC impresses with refined power, a premium DAC, and warm, balanced sound. While lacking AAC Bluetooth support, it shines with dynamic range, rich midrange, and build quality that outclasses rivals.
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George Harrison’s enthusiasm for Delaney & Bonnie’s Accept No Substitute nearly landed the duo on Apple Records—until label politics and Delaney’s double-dealing derailed the deal, sparking industry drama and setting off a ripple through rock history.
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Braving the brisk Montreal weather, Mike Harkins attends the 2022 Montréal Audiofest, where standout systems from Focal, Muraudio, PS Audio, and more share the spotlight with jazz sets, Dolby Atmos demos, and rooftop ducks.
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Luthier Okkyum Kim and reviewer Robert Schryer audition Audio Element’s $10K Krypton system in Pasadena and are stunned by its deep, articulate bass and musical realism—qualities that rival systems many times its price.
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Markham, Ontario: IsoAcoustics, the Canadian isolation specialists, recently recorded a unique demonstration of their GAIA Isolators with the aim of showcasing its unrivalled ability to improve audio equipment in any environment. The video captures the behind-the-scenes setup for the A/B demonstration and the listeners’ reactions to the stark sonic differences between the audio with and without the attachment…
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“No, I have the best system in the world!” #5: Crafting an Audiophile’s Dream in a Split-Level House
In his pursuit of audio nirvana, Serge transformed a living space into a showcase for his Focal Utopia Maestros and a $100K+ setup, crediting his system’s final leap in performance to DR Acoustics power products.
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Vincent Bélanger, a fourth-generation cellist and Audio Note UK ambassador, blends elite classical training with audiophile sensibilities, global collaborations, and a deep reverence for accessible, emotionally resonant performance.
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Motown met the Summer of Love in 1967 with “Reflections,” as psychedelic soul emerged—while Sly & the Family Stone’s electrifying debut laid the groundwork for funk, disco, and the future of R&B.
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In this revealing article, Jonson Lee explores how volume controls—digital or analog—inevitably compromise sound quality, ultimately concluding that even the best among them can’t compete with the clarity of having none at all.
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Jean-François’s McIntosh-powered setup hits a personal sweet spot, where rich bass, vivid timbres, and thoughtful tweaks—from power lines to speaker angles—have ended his upgrade itch and turned listening into a lasting joy.
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Ivan Doroschuk of Men Without Hats reflects on his synth-pop revival, embracing ‘80s nostalgia and global tours with humility and humor, performing “The Safety Dance” not once but thrice per show—for three generations of fans.