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Harnessing the power of OpenAI’s ChatGPT, Volumio AI delivers a revolution in music discovery. Innovative Italian audio company, Volumio — creators of the award-winning Volumio Music Player ecosystem — introduce Volumio AI, the latest version of their award-winning Volumio Music player application. Launched in 2013, the Volumio Music Player ecosystem has been built from the…
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Audioguy CEO Jung-Hoon Choi champions the traditional Korean genre of sanjo—a hypnotic, rhythmically accelerating solo form—as the ultimate system test and spiritual reset, captured in stunning resolution on his label’s audiophile-grade recordings.
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Robert Schryer recounts the Canadian launch of Esoteric’s Grandioso M1X monoblocks, where Focal Scala Utopia speakers and jaw-dropping dynamics delivered a “grandioso” performance marked by explosive realism and lush musicality.
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Montreal’s Pink Floyd Exhibition dazzles with over 350 artifacts, revealing stories behind the band’s evolution—from Waters’s schoolyard traumas to DSOTM’s breakthrough—while celebrating the enduring radical spirit that defined their sound.
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At High End Munich, Norman Varney of A/V RoomService boldly claims most audiophiles hear less than half their system’s potential—blaming neglected acoustics, misguided retailers, and habitual upgrade cycles chasing flaws room treatment could fix.
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An Interview with André Perry, legendary record producer and founder of the fabled Le Studio, Part 2
Founder of Le Studio, the iconic, pop-culture defining music studio tucked in the Canadian wilderness, André Perry worked with some of the biggest artists in the biz. Did he have any favourites?
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In Part 3, Gilles challenges cable skeptics by arguing that blind tests favor short-term memory and ignore the nuanced, experience-driven perception stored in our long-term auditory memory—where true cable differences reveal themselves.
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Adele’s tearful Vegas cancellation sparked backlash not just for its timing, but for symbolizing spectacle over soul—an irony, given her voice alone could’ve carried a show that ticket holders paid thousands to witness.
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Part 2 of this series dives into classical recording eras, revealing how early mono (’30s–’50s) captures legendary performances despite technical limits, while late ’50s–early ’60s stereo offers warm, rich, and cohesive orchestra sound—especially from RCA, Decca, EMI, and Philips.
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Lyle Mays, the introspective sonic architect of the Pat Metheny Group, gets a fitting farewell in Eberhard—a sweeping, posthumous masterwork co-produced with his niece, Aubrey Johnson, whose voice helps carry Mays’s final vision home.
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Though a digital listener, Jonson Lee argues vinyl’s tactile rituals, emotional resonance, and enforced focus offer a deeper musical intimacy—likening analog to a meaningful kiss, and streaming to a noisy crowd ruining the moment.
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The human voice is an amazing thing. I can think of no other instrument that moves our emotions and soul as powerfully. The examples are endless: Freddie Mercury, Beyoncé, Ella Fitzgerald, Bobby McFerrin, Luciano Pavarotti, Ariana Grande… Just take your pick. And it’s not just singers’ voices that we respond strongly to. How about the…
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Recalling his journey from AM radio to Julian Hirsch-era Stereo Review, Tom Gibbs charts how flashy gear and measurements gave way to the deeper truth: great sound comes from system synergy, not specs alone.