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Delaney & Bonnie’s fallout with Stax over their debut LP “Home” triggered a musical detour to L.A., where they recorded the fiery “Accept No Substitute” for Elektra—an album so compelling, it captivated George Harrison himself.
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Jean-François’s McIntosh-powered setup hits a personal sweet spot, where rich bass, vivid timbres, and thoughtful tweaks—from power lines to speaker angles—have ended his upgrade itch and turned listening into a lasting joy.
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In Part 3, Gilles challenges cable skeptics by arguing that blind tests favor short-term memory and ignore the nuanced, experience-driven perception stored in our long-term auditory memory—where true cable differences reveal themselves.
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Rob Schryer’s new column “The Cable Guru” kicks off with a spirited manifesto from its self-appointed guru, championing the subjective truths of hi-fi cabling, cable break-in, and the sacred art of system synergy.
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In a candid interview, Metaxas & Sins founder Kostas Metaxas reveals how fashion, reel-to-reel tape, and a DIY ethos shaped his wild, high-end hi-fi designs—blending sonic purity with sculptural flair.
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Montreal dealer Christian Vézina of Planète Haute-Fidélité delivers PMA’s first certified $10K system: Martin Logan XT i60 speakers, Exposure 3510 amp, and an Innuos ZENmini streamer punch far above their price, with upgrade paths mapped.
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Joe Cocker’s breakthrough came in 1968 with a soulful, waltz-time cover of “With a Little Help from My Friends,” crafted alongside Chris Stainton and studio ace Jimmy Page—launching a transatlantic ascent capped by Woodstock.
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PMA’s Robert Schryer confesses to abandoning separates for the Grandinote Shinai integrated amp, declaring it the most human-sounding gear he’s owned—and the cornerstone of a system that finally silenced the upgrade itch.
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The Beatles’ final days remain endlessly debated, with new Let It Be reissues and Peter Jackson’s film offering fresh insights. Despite tensions and break-up rumors, recent releases reveal more joy, creativity, and a deeper look into the band’s last sessions.
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Donna Summer revolutionized disco with Moroder and Bellotte, blending sensual Eurodisco and electronic beats. Hits like “Love To Love You Baby” and “I Feel Love” shaped dance music and sparked electronic genres.
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Discovering Booker T. & the M.G.’s McLemore Avenue as a Beatles-ignorant 12-year-old, Wayne E. Goins recalls how the soul-streaked tribute became a personal classic—long before he realized it echoed Abbey Road note for note.
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For Wayne E. Goins, Booker T. & the M.G.’s “Green Onions” wasn’t just a hit—it was a hypnotic childhood soundtrack. But the real treasure? Side B’s smoldering sleeper, “Behave Yourself,” where Booker T. shines unfiltered.
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Veteran music editor Robert Baird reflects on high-end audio’s tribalism, from gear vs. music purists to loudness wars and streaming woes, vowing to spotlight artists who value both sonic integrity and musical impact.
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I’ve been pursuing good sound quality for decades. Along the journey, I learned about various elements that make up a good audio system. And one important lesson I learned is this: Sometimes, those small, seemingly less important elements turn out to be game changers. In an audio system, we pay most of our attention to…
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Nearfield listening reveals hidden stereo depth and clarity by minimizing room interference—a technique once limited to studio engineers but now common among desktop audiophiles using compact speakers near their screens.
