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In Part 4 of this series, Gilles Laferrière defends high-end audio cabling against skeptics, citing top studios and engineers—like Bob Ludwig and Kevin Gray—who rely on premium cables to achieve superior sound quality.
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“No, I have the best system in the world!” #5: Crafting an Audiophile’s Dream in a Split-Level House
In his pursuit of audio nirvana, Serge transformed a living space into a showcase for his Focal Utopia Maestros and a $100K+ setup, crediting his system’s final leap in performance to DR Acoustics power products.
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Delaney & Bonnie’s fallout with Stax over their debut LP “Home” triggered a musical detour to L.A., where they recorded the fiery “Accept No Substitute” for Elektra—an album so compelling, it captivated George Harrison himself.
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Jean-François’s McIntosh-powered setup hits a personal sweet spot, where rich bass, vivid timbres, and thoughtful tweaks—from power lines to speaker angles—have ended his upgrade itch and turned listening into a lasting joy.
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In Part 3, Gilles challenges cable skeptics by arguing that blind tests favor short-term memory and ignore the nuanced, experience-driven perception stored in our long-term auditory memory—where true cable differences reveal themselves.
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Rob Schryer’s new column “The Cable Guru” kicks off with a spirited manifesto from its self-appointed guru, championing the subjective truths of hi-fi cabling, cable break-in, and the sacred art of system synergy.
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PMA’s Robert Schryer confesses to abandoning separates for the Grandinote Shinai integrated amp, declaring it the most human-sounding gear he’s owned—and the cornerstone of a system that finally silenced the upgrade itch.
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Blue Note’s Classic Vinyl Reissue Series delivers high-quality 180-gram LPs mastered by Kevin Gray, offering pristine sound from iconic jazz albums like Horace Silver’s 6 Pieces of Silver and Art Blakey’s The Big Beat. Audiophile vinyl is back—but with modern care and legacy.
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After dismissing high-end audio cables as snake oil, a $900 silver phono cable blew Gilles Laferrière away—revealing clearer detail, richer timbres, and vast soundstage. Key factors? Room acoustics, speaker placement, and clean power made the difference.
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Booker T. & the M.G.’s timeless grooves from ’62–’74 shine anew on Real Gone Music’s vibrant red and blue vinyl collections, delivering cherished hits and rare singles in pristine sound, a perfect gift for soul lovers and collectors alike.
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Bob Dylan’s 1980s spiritual detour shocked fans with gospel-only sets and preaching. By 1983’s Infidels, he returned to secular music, backed by stellar musicians, showcasing renewed creativity despite mixed critical reception and early digital recording controversies.
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Gilles recounts 50 years of audiophile growth, from teenage gear rivalries to embracing once-dismissed tweaks, reminding readers that real learning in hi-fi comes not from specs or forums—but from listening with open ears.
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In a playful dialogue with his younger self, Jonson Lee explores how sound quality deepens music’s magic—while cautioning against losing joy in the endless quest for upgrades. The message? Savor the music, now.
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Faced with underwhelming SACD and BD playback, Tom Gibbs ditches discs for a digital setup that rips and streams native DSD—revealing astonishing sound quality and a future where optical drives are obsolete.
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Nearfield listening reveals hidden stereo depth and clarity by minimizing room interference—a technique once limited to studio engineers but now common among desktop audiophiles using compact speakers near their screens.
