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Claude Lemaire continues his series on records that transformed the pop and rock music landscape, organized by year of release.
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Here are a few more tasty nuggets of wisdom about playing in a rock band from someone who’s been there: Frank Doris. This time, Frank highlights the importance of rehearsing—because if you don’t rehearse, you’re gonna suck.
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Chicago’s listening bars offer a new kind of nightlife, where hi-fi sound, curated vinyl, and craft cocktails take center stage. From Charis to Parachute HiFi, each space delivers a distinct, music-first experience.
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EQ Audio Video wowed with two epic setups: a Borresen T5/Aavik system offering visceral, lifelike sound, and a Dolby Atmos home theatre rig with Monitor Audio Cinergy speakers that rivaled the live concert experience.
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Angela-Gilbert Yeung’s Integrated Separate System—linking power supplies across preamp and amps—drove Fink Team Borg speakers with striking purity, lifelike tone, and exceptional transparency in a concept-rich, sonically convincing demo.
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Chris Baillie finds the Melco S1 network switch so transformative, it pushed his already high-end system into territory he hadn’t thought possible—revealing stunning realism, expanded dynamics, and a truly immersive soundstage.
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If music is therapy, then sound systems are psychiatrists. And we believe it’s well overdue for insurance to start covering the gear that lets us sob in Dolby Atmos.
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In this sun-soaked mini-series, Claude Lemaire highlights summer-defining hits from 1967–68, from The Young Rascals’ Latin-tinged Groovin’ to Otis Redding’s poignant Dock of the Bay and The 5th Dimension’s sky-high debut.
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Frank Doris has an alternately exhilarating, relaxing, exhausting, and rewarding weekend playing music at the Montauk Music Festival in upstate New York.
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Before the lute sang courtly ballads, the oud wept across empires—fretless, poetic, and ancient, it journeyed from Ur to Córdoba, carried by legends like Ziryab and crafted with near-religious devotion.
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Jeff Weiner concludes his series on blues history by way of classic rock, revealing how artists like the Stones, Janis Joplin, and the Allman Brothers revived early blues legends—crowning Willie Dixon as the most-covered songwriter.
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Writer Mark Lepage takes a deep dive into Bruce Springsteen’s new box set and wonders: “Jesu, does this man ever sleep?”
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Copper Editor and musician Frank Doris reveals, among other things, what you shouldn’t eat before a set if you don’t want to “crop dust” your drummer.
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Claude Lemaire revisits timeless summer songs, from Percy Faith’s orchestral “Theme from A Summer Place” to The Lovin’ Spoonful’s gritty “Summer in the City,” capturing carefree memories without fretting over sound quality.
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In the first of two articles, Jeff Weiner tracks how late-’60s rock giants like Clapton, Beck, and Page resurrected early blues legends, transforming Skip James and Robert Johnson into classic rock staples.
