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Here are a few more tasty nuggets of wisdom about playing in a rock band from someone who’s been there: Frank Doris. This time, Frank highlights the importance of rehearsing—because if you don’t rehearse, you’re gonna suck.
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Being in a band is all about gigs. The challenge is getting them. Writer and touring vet Frank Doris gives tips on how to do it, even if it’s the part he likes least about the business.
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Frank Doris lays bare the gritty reality of gig pay—from $25 farmers’ markets to $250K arena tours—exploring tips, contracts, tribute bands, and the financial tightrope musicians walk to keep the music playing.
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Jonson Lee finds this year’s SoCal T.H.E. Show more varied than ever, with standout rooms from Legacy, Audio Note, and Rockport—plus a surprising mix of excellence from Popori, Boenicke, and SVS.
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Frank Doris recounts wild gig disasters—sick performances, broken gear, flaming hair, hostile crowds, and forgotten sets—in a brutally funny look at the mayhem musicians endure onstage.
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Part 2 of Jeff Weiner’s two-part series that tries—and does so convincingly—to answer the enduring question: “Where did rock and roll come from?”
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Frank Doris gives more worthy tips about the business of playing music for an audience, this time about looking the part. You won’t believe what his #1 tip is.
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A much-debated topic in popular music is the origin of rock and roll music. Writer Jeff Weiner tries to sort it all out in his new series.
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Paul Whitehead, the artist behind Genesis’ album covers, reflects on his iconic work and creative journey. Alter egos, the Borg Symphony, live concert paintings, and his ever-evolving artistry continue to define his innovative spirit.
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On December 31, 1970, as a damp London chill settled over the city, Paul McCartney made his way into the High Court of Justice. The man who once penned “Yesterday” was now stepping into tomorrow with a heavy heart. In his hands, he carried a lawsuit that would dissolve The Beatles, a band that had…
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Frank Doris continues to mine his experience accrued over 50 years of playing in bands, offering insight into brand identity, having a set list, and playing music you don’t like for the sake of entertaining the crowd!
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Walt Disney’s radical 1940 film Fantasia demanded a sound system that didn’t yet exist. In response, William Garity and J.N.A. Hawkins built Fantasound—the first surround sound, decades ahead of Dolby. The system flopped commercially but changed cinema forever.
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In the gritty, post-war streets of London, where jazz clubs thumped beneath a veneer of stiff collars and bowler hats, a quiet revolution was brewing. It wasn’t in the smoky speakeasies or the avant-garde art galleries, but in the hushed workshops of wireless engineers and the boardrooms of ambitious businessmen. On October 18, 1922, as…
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In a house bursting with 13 speakers and 6 subwoofers, one audiophile’s living room doubles as a 7.6.6 surround-sound sanctuary—though his wife might call it something else entirely.
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On July 13, 1973, the tectonic plates of rock music shifted dramatically. On that day, an unassuming yet audacious British band named Queen unleashed their self-titled debut album, “Queen.” This seismic release marked the genesis of a band destined to transcend the boundaries of rock, etching their indomitable legacy into the annals of music history.…
