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Robert Schryer defends audio shows as irreplaceable gatherings for audiophiles, pushing back against claims that video content could ever truly replace the magic of in-person events.
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Frank Doris recounts wild gig disasters—sick performances, broken gear, flaming hair, hostile crowds, and forgotten sets—in a brutally funny look at the mayhem musicians endure onstage.
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Frank Doris gives more worthy tips about the business of playing music for an audience, this time about looking the part. You won’t believe what his #1 tip is.
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“I’ve decided to start a new series. Even if you’re not a musician, perhaps it’ll give some insight into the nitty-gritty of the art of music-making, or inform your listening the next time you sit in front of your stereo, or just provide some entertainment and perhaps a life lesson or two.
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On the eve of March 28, 1842, Vienna—a city already buzzing with the whispers of musical innovation and cultural renaissance—was about to witness an event that would carve a new cornerstone into its artistic edifice. The Imperial Opera Theater, a beacon of operatic and symphonic excellence, set the stage for a concert that would mark…
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Despite MoFi’s DSD controversy, Claude Lemaire finds their Eye in the Sky 45 rpm remaster a revelation—eclipsing his Canadian first press with staggering dynamics, transparency, and an analog warmth that challenges purist assumptions.
