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On July 4, 1996, Tupac turned the House of Blues into a Death Row sprint, packing unreleased fire and all-star cameos into his last concert before everything went dark.
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Sony’s Elcaset promised reel-to-reel fidelity in cassette form but flopped spectacularly, while PlayTape, Tefifon, and MiniDisc joined a graveyard of brilliant but doomed formats, crushed by cheaper, simpler, and more convenient rivals.
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Faced with underwhelming SACD and BD playback, Tom Gibbs ditches discs for a digital setup that rips and streams native DSD—revealing astonishing sound quality and a future where optical drives are obsolete.
