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Calling it “even better” than past models, Ian Ringstead hails the Hana SL Mk2 MC cartridge for its lush sound, low noise, and flawless tracking—especially impressive paired with his Technics SL1300G and valve phono stage.
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The Luxsin X9 crashes the audiophile party with raw power, smart EQ, and swagger—an upstart DAC/amp hybrid that dares to outclass the old guard.
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In a candid interview, Fosi Audio CEO Ryan (Huang Qinglong) shares how a moment in Shenzhen sparked his mission to democratize HiFi, turning a 10m² office startup into a global brand now leading Amazon’s audio charts across 150+ countries.
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The ultimate Shanling ET3 guide—every feature, flaw, and forum opinion dissected. From CD playback to I²S and upsampling, this is the most complete ET3 breakdown you’ll find anywhere.
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Shanling’s ET3 CD transport returns to stock at Forté Distribution—this compact powerhouse blends CD playback with high-res streaming and top-tier connectivity.
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Tom Gibbs discusses why any self-respecting audiophile should dispense with copper wires for streaming and opt instead for the glorious sound that can be achieved with a fiber optic connection.
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Shanling’s CR60 hits the U.S. via Forté—this $299 CD transport and ripper packs high-end parts, easy ripping, and sleek design into a compact, audiophile-friendly form.
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Happy New Year everyone! On deck are some recent releases, peppered with a couple of disappointments. After all, not all of our music purchases (vinyl or otherwise) are perfect!
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Shanling revives CD culture with a full lineup—from ripping-ready CR60 to SACD showstopper SCD1.3—blending vintage charm with cutting-edge audio tech.
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Moti Margalit explains how Sonic Edge’s modulated-ultrasound MEMS speaker redefines miniaturized audio: unlike first-gen MEMS tweeters, their chip-sized AirDriver produces full-range sound using silicon micro-pumps and amplitude modulation—no DAC required.
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Class-D amps ignite debate as Steven Stone, Eric Neff, and Bruno Putzeys clash over whether the tech now rivals or even surpasses class-A and AB.
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From quantum stickers to $485 knobs, this cheeky exposé unpacks the HiFi world’s most bizarre tweaks—where pseudo-science meets audiophile obsession, and placebo often sounds just as sweet as proof.
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The second part of this insightful series explores how Aversions, Desires, and Expectations subtly sabotage our music enjoyment—arguing that true listening begins only when we quiet the critical voice in our head.
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Two years after downsizing seemed inevitable, Tom Gibbs finds himself retired, mortgage-free, and surrounded by two dream audio rooms—one digital, one analog—where Maggies, KLH Fives, and top-tier gear turn every listen into an event.
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In the final part of his candid interview, Michael Fremer defends good digital, champions honest reviews, praises his 17-year-old protégé Malachi Lui, and reflects on how far vinyl—and his own journey—has come.
