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Here are a few more tasty nuggets of wisdom about playing in a rock band from someone who’s been there: Frank Doris. This time, Frank highlights the importance of rehearsing—because if you don’t rehearse, you’re gonna suck.
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A hundred years ago, Uncle Jimmy Thompson’s 1925 fiddle tune on WSM birthed the Grand Ole Opry—and a generation later, even Elvis couldn’t crack its reverent, rustic stronghold.
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In this excerpt from Paul McGowan’s The Audiophile’s Guide, overlooked spaces like basements and garages become ideal listening rooms through smart, minimal upgrades—proving great sound starts with practicality, not perfection.
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Audiofest photographer Joseph Greenham reflects on his experience at the Toronto Audiofest 2025.
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Robert Schryer closes out his Toronto Audiofest coverage with some final notes and takeaways.
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Christopher Wallace’s final moments—captured just hours before his murder—anchor this account of his last night in L.A., the drive-by shooting that followed, and the decades of unanswered questions that still haunt it.
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In the Audio Note room, Vincent Bélanger’s Songe played through an AN system, with cello and violin soaring, in one of the show’s most musically seductive setups.
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Robert Schryer defends audio shows as irreplaceable gatherings for audiophiles, pushing back against claims that video content could ever truly replace the magic of in-person events.
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Backstage at Villa Park, Ozzy Osbourne and Yungblud shared a raw exchange—no speeches, no ceremony—just a jeweled cross, a smile, and the unspoken weight of one era quietly giving way to another.
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Steven Stone details his DIY journey building a dual-Raspberry Pi streamer, ultimately finding its subtle sonic and ergonomic benefits—especially long-term listening ease—surpass even pricier, dropout-prone built-in Ethernet solutions.
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Amid downsizing frustrations, Rudy Radelic purges vinyl, CDs, and old gear—while still finding joy in standout reissues from Cal Tjader, Horace Silver, Donald Byrd, and Quincy Jones, plus long-awaited news on Buckingham Nicks.
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Robert Schryer wraps his interview with Dutch & Dutch’s Jannis Dossis and Martijn Mensink, uncovering bold plans for a smaller speaker—and finds the 8c system so good, it might just end his gear-chasing days.
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Frank Doris lays bare the gritty reality of gig pay—from $25 farmers’ markets to $250K arena tours—exploring tips, contracts, tribute bands, and the financial tightrope musicians walk to keep the music playing.
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Audiophiles are not freaks, or losers, or whatever negative stereotypes the naysayers want to characterize us by. We’re lucky.
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To mark his 50th year in music, Guy Bélanger recorded Postcards from London at Abbey Road’s iconic Studio 2—an audacious dream brought to life by producer Jean Ouimet and a tight-knit Quebecois team.
