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Rob Schryer and his photographer sidekick Karim Sénoussi spend a jazzy afternoon at 2xHD Fidelio, where René Laflamme pushes audio boundaries with vintage gear to capture raw musical emotion.
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Robert Schryer puts DR Acoustics’ Polynice power distributor and its cables to the test, uncovering how their innovative designs tackle noise and improve clarity, detail, and soundstaging.
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Frank Doris offers tips on what to do and not do once you’ve made it to the big stage.
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Howard Milstein calls the Musician Pegasus II R2R DAC a “giant killer,” rivaling pricier models with its smooth mids, deep bass, and spacious soundstage. In NOS mode, it delivers an organic, natural presentation, making it a standout choice. Milstein hails it as a must-hear for audiophiles seeking top-tier musicality.
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Monitor Audio’s $5199/pair Gold 100 6G standmounts impressed Robert Schryer with their weight, luxurious finish, and superb clarity. With deep bass, rich detail, and effortless musical flow, they felt complete—no sub needed.
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Shanling’s CR60 hits the U.S. via Forté—this $299 CD transport and ripper packs high-end parts, easy ripping, and sleek design into a compact, audiophile-friendly form.
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Captivated by Liu Fang’s mastery of the pipa, composer Christian Thomas created Dragon, Concerto for Pipa—a sweeping East-meets-West musical odyssey.
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David Chesky, audiophile pioneer and Grammy nominee, shares insights in an exclusive interview ahead of his trio’s live performance of The Great European Songbook at Montreal’s Bourgie Hall on January 23. Tickets are available now, for $19 – $38.
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Walt Disney’s radical 1940 film Fantasia demanded a sound system that didn’t yet exist. In response, William Garity and J.N.A. Hawkins built Fantasound—the first surround sound, decades ahead of Dolby. The system flopped commercially but changed cinema forever.
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On a hot August morning in 1958, something extraordinary happened on a Harlem street. Fifty-seven jazz legends gathered on the stoop of 17 East 126th Street, not for a performance, but for a photograph that would become one of the most iconic images in American music history: A Great Day in Harlem. Captured by Art…
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In Part 2, writer Mike Harkins talks to audio manufacturers about DSP’s future, and boldly predicts it will revolutionize sound quality in ways we’ve never experienced before.
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Tom Gibbs dismantled $8,000 worth of high-end gear—only to find a $150 Topping E30 II DAC paired with Euphony’s Mozzaik upsampler delivered better, more analog-like sound than ever before. Mind blown, wallet intact.
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From boomboxes to Bluetooth, this lively history tracks the cultural and technological evolution of portable music—highlighting how innovations like the Walkman, Discman, iPod, and wireless earbuds shaped how (and where) we listen.
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A passion project turned masterpiece, the Dayton Wright Hommage electrostatic speaker stunned with its staggering clarity and realism—delivering jaw-dropping sound in every setup it graced, thanks to Jocelyn Jeanson’s fanatical design precision.
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“Combines the benefits of an exceptional analog preamplifier, a full-featured state-of-the-art DAC, a stereo 150-watt per channel power amplifier, and an amazing sounding MC/MM phono stage”
