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A journal pulses with ink and intent as a listener records the thousand-hour unraveling of sound.
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To mark his 50th year in music, Guy Bélanger recorded Postcards from London at Abbey Road’s iconic Studio 2—an audacious dream brought to life by producer Jean Ouimet and a tight-knit Quebecois team.
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Frank Doris takes a look at the revealing new book, Buzz Me In: Inside the Record Plant Studios, which has some real rock and roll stories.
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Frank Doris gives more worthy tips about the business of playing music for an audience, this time about looking the part. You won’t believe what his #1 tip is.
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This striking image from David Bowie’s 1979 Lodger photoshoot is more than a visual oddity—it’s a portal into a restless, brilliant period in Bowie’s life. Captured by Brian Duffy, the man responsible for some of Bowie’s most iconic imagery (think the lightning bolt on Aladdin Sane), this photograph encapsulates the strange tension between control and…
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Record Store Day 2024 spins into action with exclusive releases from Elton John, Frank Zappa, Queen, and the Pixies, as vinyl lovers worldwide celebrate analog culture, indie shops, and community-centered music discovery.
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An Interview with André Perry, legendary record producer and founder of the fabled Le Studio, Part 1
In this wide-ranging interview, Le Studio founder André Perry reflects on his journey from teenage drummer to recording legend, recounting sessions with icons like Rush and Bowie, the rise of his trailblazing woodland studio, and his enduring passion for sonic excellence.
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As Blur returns with The Ballad of Darren, Mark Lepage highlights their mature, melancholic sound—and wonders if the album’s strength might provoke the ultimate Britpop revenge: an Oasis reunion just to spite them.
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MoFi’s 45rpm reissue of Jeff Beck’s Truth delivers seismic bass and analogue warmth that outshines many rock classics; released just before Zep’s debut, it remains a blues-rock benchmark for sound and influence.
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Jay Jay French recalls funding his first hi-fi with pot money, trashes a Dylan concert, and champions budget gear that “sniffs cocaine like it’s Jaws”—all while slowly, skeptically courting jazz.
