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Amid riverside charm and cold cuts, Robert Schryer tests ArtistCloner’s $11K Mini Ether, revealing near-Ether-level imaging, timbral precision, and emotional pull—plus an unexpected cameo from YouTuber “Dave Listens to HiFi.”
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Mitsubishi’s Diatone D-160, a 1.5-ton subwoofer from the 1980s, defied all logic with a 63-inch carbon-fiber cone and a 400-kilogram field coil, turning every note into a seismic event.
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With AXPONA 2025 safely in the past, it’s time to hop back into the listening room with some records.
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Doug Moore puts the Schiit Magni Unity headphone amplifier and HIFIMAN Arya Stealth headphones through their paces and comes out with some interesting observations.
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Advance Paris blends retro flair with cutting-edge tech across its hi-fi lineup, as the French brand—backed by Tri-Cell—brings its stylish, high-performance gear to North America.
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Writer Mike Harkins searches for audio gems at the Lone Star Audio Fest 2025 and digs up a saddlebag full of them.
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Bruno Putzeys concludes his two-part series that explains why active speakers are inherently better than passive ones.
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Writer Rudy Radelic shares his observations at this year’s packed AXPONA.
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Unveiled at High End Munich 2025, the Eversolo Play blends DAC, amp, and streaming in one sleek unit, challenging hi-fi excess with minimalist elegance and room-tuned performance.
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What can active speakers do that passive ones can’t? Impulse response, impulse response, impulse response, says Bruno Putzeys. That, and their sheer practicality, makes them the wave of the future.
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What can active speakers do that passive ones can’t? Impulse response, impulse response, impulse response, says Bruno Putzeys. That, and their sheer practicality, makes them the wave of the future.
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The Luxsin X9 crashes the audiophile party with raw power, smart EQ, and swagger—an upstart DAC/amp hybrid that dares to outclass the old guard.
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Claude Lemaire spotlights three pivotal 1970 albums—by Uriah Heep, Black Sabbath, and Led Zeppelin—that fused prog, blues, and folk into the roaring blueprint for what would become heavy metal.
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Frank Doris recounts wild gig disasters—sick performances, broken gear, flaming hair, hostile crowds, and forgotten sets—in a brutally funny look at the mayhem musicians endure onstage.
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Part 2 of Jeff Weiner’s two-part series that tries—and does so convincingly—to answer the enduring question: “Where did rock and roll come from?”