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After dismissing high-end audio cables as snake oil, a $900 silver phono cable blew Gilles Laferrière away—revealing clearer detail, richer timbres, and vast soundstage. Key factors? Room acoustics, speaker placement, and clean power made the difference.
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A small bladder can ruin music marathons, but Stadium Pal—a discreet urinal pouch—lets you stay seated through entire Pink Floyd albums or Mahler cycles, preserving sonic immersion and letting your system’s true balance keep you hooked longer.
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Discovering Booker T. & the M.G.’s McLemore Avenue as a Beatles-ignorant 12-year-old, Wayne E. Goins recalls how the soul-streaked tribute became a personal classic—long before he realized it echoed Abbey Road note for note.
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From jump blues and Ray Charles’s boundary-breaking “What’d I Say” to the polished hits of Motown and gritty grooves of Stax, this sweeping history traces soul music’s rise—and disco’s roots—in a racially and musically transformative America.
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Lyle Mays, the introspective sonic architect of the Pat Metheny Group, gets a fitting farewell in Eberhard—a sweeping, posthumous masterwork co-produced with his niece, Aubrey Johnson, whose voice helps carry Mays’s final vision home.
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Tracing disco’s roots back to slave songs, chain gangs, and swing countercultures, the article shows how rhythm evolved into a movement — one made possible not by concerts, but by records and multitrack recording.
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Dragged along to T.H.E. Show by chance, Jonson Lee’s wife — a professional pianist — helped crown Heavenly Soundworks’ active speakers as the event’s best, praising their astonishing clarity and bass, all powered by just a $500 streamer.
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I’ve been pursuing good sound quality for decades. Along the journey, I learned about various elements that make up a good audio system. And one important lesson I learned is this: Sometimes, those small, seemingly less important elements turn out to be game changers. In an audio system, we pay most of our attention to
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Whoever said “the best things in life are free” obviously never dabbled in high end audio. That’s not to say you can’t improve the sound of the system you already have with some judicious tweaking.
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Recalling his journey from AM radio to Julian Hirsch-era Stereo Review, Tom Gibbs charts how flashy gear and measurements gave way to the deeper truth: great sound comes from system synergy, not specs alone.
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Gerard Rejskind argues nothing impacts your system’s sound more than speaker placement, offering unconventional tips—from asymmetry to nearfield setups—to overcome room flaws and coax the best performance from your gear.