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Here are a few more tasty nuggets of wisdom about playing in a rock band from someone who’s been there: Frank Doris. This time, Frank highlights the importance of rehearsing—because if you don’t rehearse, you’re gonna suck.
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Chicago’s listening bars offer a new kind of nightlife, where hi-fi sound, curated vinyl, and craft cocktails take center stage. From Charis to Parachute HiFi, each space delivers a distinct, music-first experience.
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Being in a band is all about gigs. The challenge is getting them. Writer and touring vet Frank Doris gives tips on how to do it, even if it’s the part he likes least about the business.
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Now branded “Powered by HEOS™,” Denon’s wireless platform marks its 10th year with a major firmware update, evolving from three speakers to a cross-brand audio ecosystem spanning over 50 products.
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Frank Doris lays bare the gritty reality of gig pay—from $25 farmers’ markets to $250K arena tours—exploring tips, contracts, tribute bands, and the financial tightrope musicians walk to keep the music playing.
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In this sun-soaked mini-series, Claude Lemaire highlights summer-defining hits from 1967–68, from The Young Rascals’ Latin-tinged Groovin’ to Otis Redding’s poignant Dock of the Bay and The 5th Dimension’s sky-high debut.
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Frank Doris has an alternately exhilarating, relaxing, exhausting, and rewarding weekend playing music at the Montauk Music Festival in upstate New York.
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Copper Editor and musician Frank Doris reveals, among other things, what you shouldn’t eat before a set if you don’t want to “crop dust” your drummer.
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Claude Lemaire revisits timeless summer songs, from Percy Faith’s orchestral “Theme from A Summer Place” to The Lovin’ Spoonful’s gritty “Summer in the City,” capturing carefree memories without fretting over sound quality.
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A harmonica, a cigarette, and Dylan’s disinterest—Daniel Kramer’s 1964 photo captures a moment of surreal cool that still outsmokes modern icon-making.
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Claude Lemaire spotlights three pivotal 1970 albums—by Uriah Heep, Black Sabbath, and Led Zeppelin—that fused prog, blues, and folk into the roaring blueprint for what would become heavy metal.
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Frank Doris recounts wild gig disasters—sick performances, broken gear, flaming hair, hostile crowds, and forgotten sets—in a brutally funny look at the mayhem musicians endure onstage.
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Part 2 of Jeff Weiner’s two-part series that tries—and does so convincingly—to answer the enduring question: “Where did rock and roll come from?”
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Frank Doris gives more worthy tips about the business of playing music for an audience, this time about looking the part. You won’t believe what his #1 tip is.
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In this installment of The Vinyl Beat, Rudy Radelic recommends not records, but a practical way to catalogue an album collection using Discogs.
