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In this episode, writer and self-taught musicologist Claude Lemaire chooses Iron Butterfly, Jeff Beck, and even the Beatles as pioneering heavy rock influencers.
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George Harrison’s Concert for Bangladesh was an unqualified success, and the first-ever pop concert for charity.
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On a chilly afternoon in London, January 30, 1969, the air in Savile Row was sharper than usual, the kind that bites at your cheeks and makes your breath visible. Little did anyone know, history was about to be serenaded by the unexpected. It was on this day, atop the Apple Records building, that The…
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As the ’60s came to a close, with the dawn of the new decade just on the horizon, many rock bands abandoned references to psychedelics in their music, favouring instead a return to roots, folk, and country.
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Badfinger’s new album was both falling behind schedule and becoming more expensive, and the label rejected the initial session tapes
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1970 proved to be a landmark year in the annals of rock music.
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The band, according to member Bobby Whitlock’s autobiography, had already gotten kicked off the Elektra label when it was touring, due to Delaney’s drunken antics with label owner Jac Holzman. Delaney & Bonnie manager Alan Pariser, who was close friends with Harrison, arranged for the group to be the opening act for Blind Faith, aka…
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In our last episode, Joe Cocker had just fired the members of his Grease band after recording his newest album, Cocker! His manager, Dee Anthony, was looking forward to returning to the U.S. to promote the highly anticipated album that featured Cocker originals and unreleased Beatles songs.
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An Interview with André Perry, legendary record producer and founder of the fabled Le Studio, Part 2
Founder of Le Studio, the iconic, pop-culture defining music studio tucked in the Canadian wilderness, André Perry worked with some of the biggest artists in the biz. Did he have any favourites?
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Last we heard, producer David Anderle and recording engineer John Haeny had given British producer Glyn Johns a test pressing of Delaney & Bonnie’s new album, Accept No Substitute, which wound up in the hands (and ears) of George Harrison.